I have been compulsively painting my entire life, and every decision I make is structured around sustaining that practice. Painting, for me, is a way of thinking through material, time, and resistance.

My work is built through accumulation, abrasion, and revision over extended periods. I construct dense surfaces through layering and partial erasure, allowing earlier decisions, including failures and instability, to remain visible. Rather than correcting the work, I respond to it, letting each painting develop through sustained negotiation.

Influenced by natural processes such as growth, decay, and sedimentation, I approach painting as an evolving structure shaped over time. Each work becomes a record of endurance, carrying the traces of labor, hesitation, and transformation.